BKB and Artistic Director Alan Roberts at the LMSP&D studio When I was in Aix-en-Provence this summer visiting the Leo Marchutz School of Painting & Drawing, my alma mater, I was honored to be asked to write the "Alumni Spotlight" for the September newsletter. Here is the link to my piece, "The Merging of Paint & Paragraphs." Also have it below. Enjoy! The Merging of Paint & Paragraphs I was in Aix-en-Provence last summer, and a visit to see Alan Roberts and the school was a must. For years I had shared stories of my time in France with my husband, and I was eager for him to learn about this period that shaped my life. Incredibly, it had been 50 years (5-0!!) since I stepped across the Leo Marchutz School of Painting & Drawing threshold. To my overwhelming joy, I found the school thriving! In this magical atelier, buzzing with creativity, was also an aura of calm as the students focused on still life renderings. I remember lectures about Leo M...
I was a total rube when I started my first job as an editorial assistant at Glamour . For one thing. I talked too loud on the phone. My editor taught me how to sound more grown-up (i.e., sophisticated). I was fresh out of school in New England and lived on Martha's Vineyard for a few months after my summer job ended. "You want to speak softly and lower your voice," she said. "Like this: 'Hulllloooo, you've reached Glamour magazine. How may we help you?" After two years, I became an assistant beauty and health writer. Frankly, I was getting tired of telling women what diet they should follow. A new products column dictated what lipstick to wear, and if they wore the color I mentioned in the past few issues, these H&G readers were pathetically passé. But the real reason I left Condé Nast Publications to become a press agent at ICPR was that a close colleague in Glamour editorial invited me. She had left Condé Nast a few months earlier for the oth...